To hear these options again, press 9

To hear these options again, press 9 

2024 - series ongoing, dimensions variable

(scissors, legal tape, bias binding, cord, thread, ribbons bandages, rags)

Installation detail at correspondences, To hear these options again, press 9, 2025, photo by Savina Hopkins 

Installation detail at correspondences, To hear these options again, press 9, 2025, photo by Savina Hopkins 

Nature > strip > garden > bed

Nature > strip > garden > bed, 2024 

(photographic print on cotton, bias binding, thread)

i-SPY

Wing Attack, 2024
(wood assemblage) 

Say Cheese, 2024
(wood assemblage, photo by Andrew Curtis)

i-Spy, 2022
(wood assemblage)

Lime Splice, 2024
(wood assemblage, photo by Andrew Curtis)

Bullwinkle, 2024
(wood assemblage, photo by Andrew Curtis)

Marco Polo, 2024
(wood assemblage, photo by Andrew Curtis)

I Want Candy
(wood assemblage, photo by Andrew Curtis)

Shazbot, 2024
(wood assemblage, photo by Andrew Curtis)

Tuppence a Bag, 2024
(wood assemblage, photo by Andrew Curtis)

L > R: Little Lunch 2021, Hot Gossip 2021
(wood assemblages)

Shelter  Shed, 2024
(wood assemblage, photo by Andrew Curtis)

Screen / Time

Votive No. 4, 2022
(digital photograph)

Votive No. 3, 2022
(digital photograph)

Votive No. 2, 2022
(digital photograph)

Votive No. 1, 2022
(digital photograph)

Persona Obscura

L - R : To Ada, 2015, Miss Constance Worth, 2015
(photograph, bandaids, linen, acrylic paint, mountboard)

L - R : Betty, 2015, Dear Sir, 2015
(photograph, bandaids, linen, acrylic paint, mountboard)

L - R : Eileen & Maude, 2015, Rafaellina, 2015
(photograph, bandaids, linen, acrylic paint, mountboard)

L - R : Esther, 2019, Grace, 2015

(photograph, bandaids, linen, acrylic paint, mountboard)

Family band-aid portraits

Mum
(band-aids, paper, linen, pencil and acrylic on linen canvas)

Mum & Dad, 2013
(band-aids, paper, linen, pencil and acrylic on linen canvas)

Dad, 2013
(band-aids, paper, linen, pencil and acrylic on linen canvas)

Daughter / Sister, 2013
(band-aids, paper, linen, pencil and acrylic on linen canvas)

Close Quarters

Unwatched Channel, 2013
(collage on paper, 39 cm x 39 cm)

Soundings, 2013
(collage on paper, 39 cm x 39 cm)

Slight Pitch, 2013
(collage on paper, 39 cm x 39 cm)

Headway, 2013
(collage on paper, 39 cm x 39 cm)

Universal Secret, 2013
(collage on paper, 39 cm x 39 cm)

Inlet / Outlet, 2013
(collage on paper, 39 cm x 39 cm)

Custom Bearer, 2013
(collage on paper, 39 cm x 39 cm)

White Bluff, 2013
(collage on paper, 39 cm x 39 cm)

Magnetic Deviation, 2013

(collage on paper, 39 cm x 39 cm)

Present at the Parade, 2013
(collage on paper, 39 cm x 39 cm)

Dymo Portraits

False Dichotomies (detail), 2012
(vinyl embossing tape, paper)

Subsumed  (detail), 2012
(vinyl embossing tape, paper)

How Long, 2012

(vinyl embossing tape, pencil, paper)

Handcuffed to a Ghost, 2012

(vinyl embossing tape, paper)

New Bandwidth, 2012
(vinyl embossing tape, pencil, paper)

Hell is a Sparrow, 2012

(vinyl embossing tape, pencil paper)

Punching a Cloud, 2012

(vinyl embossing tape, pencil, paper)

No Morals, 2012

(vinyl embossing tape, paper)

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Penny Webb has written a review of my Dymo portrait series in The Age newspaper (Wed Jan 20th, 2013, pg 13).
'Small Works Get Up Close and Personal for a Big Impact' - P. Webb

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Bad drawings, 2012
(vinyl embossing tape on board)

Something New, 2012

(found photograph, vinyl embossing tape)

Dead Reckoning

Counterpanes, 2007
(collage on paper)

Hillock, 2007
(collage on paper)

Contact, 2007
(collage on paper)

Mutiny Blue, 2007
(collage on paper)

Assembly, 2007
(collage on paper)


Confidential, 2007
(collage on paper)

Drag, 2007
(collage on paper)

Next of Kin, 2007
(collage on paper)

Urgent Imp, 2007
(collage on paper)